When
did you start writing?
I
started writing in 2006 when I lost everything in the real estate market and
found I had days on end with nothing to do. I read a book by Aharon Appelfeld
called All Whom I have Loved about a
six-year-old Jewish boy in the Ukraine torn between his father, a brilliant
painter, and his mother who is trying to assimilate as the German army
approaches. It’s heart-breaking and funny and insightful as well as being told
from a child’s perspective. A child who is not going to be saved by anyone and
slowly comes to realize that. The language is beautiful, even having been
translated from the Hebrew, it’s lyricism comes across.
From
there I discovered Amy Hempel, Tom Spambaur, Denis Johnson, Thom Jones, Will Christopher
Baer, Craig Clevenger and many other post-modern writers as well as Roth,
Atwood, McCarthy and Dellilo.
It
became clear to me that prose and poetry better represented the human condition
than psychology, science or religion.
I was
lucky enough to take a seminar with Iowa Writers’ Workshop graduate Kurt
Gutjahr and then work with him one to one for five years. I currently have a
novel being considered by agents and am working on a collection of
short-stories. Most of my writing is dark, funny and spiritual.
How
long have you been a freelance writer?
Five
Years. I do creative writing, technical writing, and non-fiction pieces as well
as research. I did a piece on the Church of Scientology that required me to
interview current and former members as well as read all of Ron Hubbard’s
books.
What
are your favorite subjects to write about?
Love,
betrayal, suffering, how people use language to deceive themselves and others;
food, technology and how it seems to lead people to their worst impulses, the
failure of our civic, communal and religious institutions, other writers and
books, music, Asia, Buddhist and Hindu thought and art, the eighties, schlock
culture and why it can be so satisfying, film, biology, the differences between
men and women, and the West. I consider myself a post-modern Western writer.
What do
you enjoy most about being a writing coach?
I like
working with people to help them tell their stories no matter how strange or
awkward they may be. I’ve worked with a woman who was born in Lebanon during
their civil war and invasion by Israel as well as her betrothal at fifteen to
her cousin, a female physician who suffers from domestic abuse and depression,
and a whistle blower in the insurance industry who wrote a screenplay about the
industry’s abuses.
Does
working as a coach with other writers inspire you as a writer?
Of
course! Writing is lonely work and meeting other people who are passionate
about it is awe-inspiring. Meeting passionate readers is also great too. Gives
me the tenacity to keep at it.
What is
the most difficult aspect of writing a novel?
Everything.
Spending long periods alone with your thoughts and staring at a screen, not
knowing if it will ever see the light of day, and putting off the pull of life
to create what is basically an artifact. Learning how to write I found I had
many erroneous ideas about how narrative worked and it wasn’t until I learned
how it’s intrinsic to our neurology did my writing come together. We evolved
through stories and they give us information on many levels. That’s why it’s so
funny when someone says they don’t read fiction because it’s not “real.”
Fiction
is the distillation of so many levels of real that it’s sometimes hard for the
reader to even understand how they are being led into the story, or
story-world, as writers say. It really is pulling someone into a dream state
that is also vividly true. True enough they will put down the phone, computer,
TV or Internet to stay in that world for hours or days.
For
example, Eisenhower wrote a book called Crusade
in Europe about the invasion of Europe to destroy the Nazi war machine.
This is by the guy who orchestrated the entire operation, had all the inside
information and could see it from a global perspective. How many people have
you met who have read that book? Most likely none. Why? It’s dull as dust.
How
many people have you met who have read Harry
Potter? Tons. Why? The prose is pretty straight-forward, it’s a book for
kids, and its set in a fictional realm where magic works. Some of the reasons
it’s so popular are that it seems to represent the coming of age process in a
way that non-fiction cannot: magical mentors and schools, rites of passage, and
friends who inspire us. Even the wars between various groups in the later books
make sense to us. They are led by characters we love or hate, who are
conflicted themselves, and whos decisions have direct impact and consequences
unfiltered by bureaucratic systems. It’s the world we want to live in. Same
with Lord of the Rings, Game of Thrones and, I imagine, Fifty Shades of Grey, though I have
never read it.
What
would you say to an aspiring writer who is just beginning a novel?
Do it!
What do you have to lose? You will learn a lot about yourself in the process,
it’s cheaper than therapy, and you will end up using a lot of the material in
everyday life on your way to getting published.
Joseph
Chinnock is a freelance writer, writing coach, world traveler, entrepreneur, and
all around interesting guy.
I know what you mean about having days on end with nothing to do. It's something you just cant do if you have a strong work ethic and you need income!
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